In the early 80’s, avant-garde radio moguls Peter Moser and Alex Douglas (of Co-Op Radio’s famed Alien Soundtracks program) published a semi-regular zine titled CLEM: Canadian List of Electronic Music. The list operated as a catalog of recent electronic, synth, experimental, and “music of intelligence and feeling” from around the world. For many it was the go-to guide for left-field music at a time when information was not widely available.